In the Bag

Detectives Davis and DeSoto (Elly Clutch and Addison Vodka) are their department's worst nightmare. They're incompetent, unfocused, and party too hard, a total embarrassment to the badge and their supervisor, Chief Callaghan. So when a well-known Hollywood starlet (Brittany Andrews) is murdered, Callaghan sees a golden opportunity to finally set the bumbling duo up to fail publicly and in spectacular fashion. And when the case goes unsolved, as Davis and DeSoto's cases always do, he'll finally demote them to desk duty. Can Davis and DeSoto hang on to their jobs, or will they find themselves on the wrong side of the law?

Ricky Greenwood is one of the best directors in the business, and he once again shows his worth with an expansive feature. He returns to comedy with great success after several serious projects and pulls strong performances from his co-leads, Clutch and Vodka. The action opens in earnest once the detectives arrive on the scene. There's a crime scene to investigate and at least two witnesses to question. Davis talks to the jealous neighbor, bitter that the victim stole her age-old spotlight, while DeSoto personally questions the victim's butler/companion, Reginald Turner (Mike Ox). The interview turns into a fabulous romp by the rooftop poolside that features DeSoto riding Turner's dick like a bronco before Turner rolls her onto her back so he can dick her nice and deep. The finish is kinky with the perfect touch of humor.

A chance meeting could break the case, prompting Davis and DeSoto to expand their investigation. Davis gets a visit from porn icon Leaky Fontaine (Isiah Maxwell), and he delivers some interesting intel to the hot honey. To show her appreciation, Davis cuffs him and sucks his soul out of his balls before bending herself in half so he can lay some pipe on her. Seriously folks, she turns herself into a pretzel, and Maxwell hammers her like an engine piston. In fact, he basically has his way with her from start to finish, folding her like a bendy straw at every turn as he piledrives her pussy over and over.

The case takes a turn after an unexpected visit from Lenny Carlisle (Scott Nails), a director who's recently fallen on hard times. Carlisle and his new girlfriend Squeaky Cline (Willow Ryder) enjoy a break on the set of their cheesy porn movie while waiting for the male talent to arrive. Cline, keen on saving herself for the scene, tells Carlisle to fuck her in the ass so she can keep her pussy tight for the cameras. Of course, Carlisle obliges her. Scott Nails lives up to his namesake in this scene as he thrusts himself deep inside Ryder's ass hard and fast. And speaking of ass, holy smokes, is Willow Ryder blessed in that department. She's got ass for days, and the camera gives those delicious cheeks plenty of opportunities to shine. The end is as kinky as you want it to be too.

The action comes to a head, figuratively and literally, leaving Fontaine alone with Davis and DeSoto. And of course, the dirty detectives do what they do best. Fontaine bends both cops over (after they gargle his cock enthusiastically) and has his way with them. From burying his face in their asses to pumping them both on the interrogation table, he lays down some serious pipe. The highlight of the action is the way he hammers both ladies from behind, reducing them to quivering messes of orgasmic stupor. I love period films, and Ricky Greenwood has a penchant for telling stories from this era. He captures the spirit of the time perfectly with good props, good dialogue, and relevant visuals, and he captures the hot sex with aplomb. Addison Vodka and Elly Clutch both do a great job and should be on any director's radar. Scott Nails and Isiah Maxwell are good as always, and Willow Ryder should be cast as often as possible for the appeal of her ass alone.