I Can Make This All Go Away

"I Can Make This All Go Away" from Pure Taboo features two horny tales involving vengeance, as enacted by a male (in the decadent title story) and a female (in the second twisted anecdote).

Actually, the second tale isn't quite as steamy as the first one, but it's still quite horny, especially with sexy Penelope Kay — care of her biggish boobs, cute face, and fine backside — who takes it up the ass from Tommy Pistol. Early on, we see Penelope, a student attending a parochial college, alone in her dorm room burning a photo of a priest, played by Tommy. We know something is up. She obviously wants her pound of flesh. But why? Once in Pistol's darkened office, Penelope confesses to the priest that she has distinct thoughts about losing her "virtue," so to speak. "Your virginity is a treasure," he tells her. But Penelope gets more and more seductive, asking him about having sex in "the other place" (her asshole), so as to maintain her virginity. "Sin is sin," he tells her. By now, however, he's butter in her palm, with Ms. Kay succeeding in fully seducing Tommy, and getting him to pop her backside. But when priest and student are getting dressed, we see that Kay is not finished with him yet. Why did she want Pistol's character to sodomize her? Why did she slyly coax him to ultimately break his holy vows? Don't wanna ruin it for you.

But it's the title story of sweet vengeance which makes this Pure Taboo release really shine. Charles Dera plays a father who shows up at the house of a female teacher, played by deliciously luscious, alluringly exotic Sarah Arabic, who's been accused of having "lesbian sex" with his daughter — and he wants justice. Immediately! Legal proceedings are in progress, so Sarah tells him to leave. He won't. Charles barges his way into Sarah's house, soon revealing to her that he has pictures of "Teach" having sex with his daughter. Charles tells Sarah that he'll make all the problems go away (hence the movie's title) — but she has to have sex with him now. "What?" she asks him, totally stunned. "Are you being serious? What did I get myself into?" "You got yourself into my daughter," he tells her. "And you fucked the wrong man. Take them clothes off!" She begrudgingly gives in, but there's tension between the two characters throughout, making the scene all the more provocative. Charles has a grand time watching Sarah squirm and frequently teeter between physical pleasure and emotional pain, between sheer lust and bubbling anger.

The sex between Arabic and Dera is volcanic, with lots of saliva drippings during Sarah's frequent deepthroatings. Brilliant! The lady knows how to hold that cock deep in her throat — and for a long time. Charles face-fucks her soon enough, and she can't get enough. He's totally in control of this amazing submissive. That ass, those tits, all that flesh — Sarah is the personification of juiciness. "Be gentle," she tells him, before Charles heartlessly jams his cock into her twat doggie-style. "You're lucky I don't step on your fucking face," he snarls. "Don't you fucking dare," she groans. Great jabs between the two characters throughout. "It's so fucking deep," she filthily grunts as he madly pounds away. Great stuff! Cowgirl is similarly amazing. Look at those bountiful butt cheeks billow! Sarah knows how to ride a cock! And catch those hefty hooters bouncing. She's almost limp from the non-stop, rough sex, before awkwardly (from her realistically weakened state) sitting on his cock, reverse-cowgirl. Charles eventually hammers her missionary — Sarah's eyes go into her skull from sheer lust — before blasting bazooka batter all over her massive boobs. And how exactly does this bizarre scenario play out? Again, I don't wanna spoil the ending for you.

This release boasts a great pair of grudge-fucks, with well-developed characters and believable acting — especially the scene with sexy Sarah and rough Charles, which is both riveting and off-the-scale arousing.