Future Darkly

Pure Taboo
Future Darkly

In this engaging Pure Taboo anthology series, we have “The White Room” and “Artifamily,” both dealing with sci-fi storylines set in the future; the first tale featuring five scrumptious bitches caught in a world of virtual reality and Michael Vegas’ dick; the second involving Tommy Pistol getting it on with an android in the image of his dead stepdaughter, played by the tasty Jill Kassidy, with both stories providing maximum eroticism.

In “White Room,” a creepy school bus driver, played by Michael Vegas, captures the DNA of the sexiest girls on his bus, and puts their simulated bodies/personalities in a virtual reality program (which amounts to their materializing in, basically, a large, seemingly endless “white room”), allowing him to, in turn, gluttonously imbibe of their carnal charms, including Carolina Sweets giving a nasty blowjob and getting fucked silly on a barstool in both the doggie and missionary positions; as well as Whitney Wright, Alison Rey, Nina North, Gracie May Green and Carolina later doing a reverse blowbang on the lucky bastard; Gracie getting pumped silly missionary style; Nina North and her big-but-not-overly-so boobies revolving hornily as Vegas bangs her mish; Alison seriously getting doggied; and Whitney bouncing on his dick with her jiggling ass via cowgirl. Great stuff!

Next, in “Artifamily,” Tommy Pistol plays a stepfather in the future whose dead stepdaughter is cloned, allowing him to take her home, live with her once again, and, since we’re in the midst of a porn movie here, do the nasty with the fetching android, and it’s highly whackworthy material, indeed. Kassidy delivers a world-class blowjob, deep with plenty of saliva and gagging noises, including a section where she’s upside-down on the arm of a sofa as Pistol positively ravages her tonsils. She’s also incredible in every position, be it doggie, missionary, reverse-cowgirl, and (one of my faves) cowgirl, where she really works and grinds and bounces that delectable moneymaker of hers. The ending, by the way, is way eerie and worth sticking around for.

It’s good solid licking and sticking in these two tales set in the future, with “White Room” being an amazing collection of first-rate pussy (as in five babes!) getting wildly ramrodded, in turn, making it not too be missed smut, while Jill Kassidy puts in a magnificently filthy performance herself. For hardcore viewers and couples alike.

Synopsis:

Vincent, (Michael Vegas) a mild-mannered bus driver for George Ivan Junior College is driving a group of 18-year-old school girl home from class, as he does every week day. Around the corner, after dropping off all the girls for the day, he stops the bus abruptly. Later It's revealed that he will use future technology to recreate the girls in The White Room, where he acts out his taboo fantasies, but one little mistake could bring it all crashing down.

ARTIFAMILY specializes in creating android clones of deceased loved ones so that no one must suffer the loss of losing someone too soon ever again. Their team of scientists were able to upload and digitize brain cells to construct an exact clone, using machine learning and patented algorithms to generate a personality match from the digital data. Apart from a small microchip behind the left earlobe, you would never know that ARTIFAMILY members weren't human.

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Johnny Bannion