What do the holidays mean to you? Kitschy decorations? Mariah Carey? Cheesy Christmas movies?
How about spicy gay romcom parodies?
There’s something about being home for the holidays that gets everyone horned up. And the holidays can be a sad time for some people, so why not provide some fun, sexy, naked entertainment?
“The Push It Inn” brings together a host of exclusive talent for a Hallmark-style romcom. Complete with festive insertions, an epic flip fuck from alpha tops Paul Wagner and Sir Peter, and plenty of humor, this third installment of Falcon/Nakedsword’s “Bred & Breakfast” series reminds us that there’s nothing like hole for the holidays.
The comedy also offers a genuine parody that skewers the genre of schmaltzy holiday films. Speaking with the all-star cast and with creator Ben Rush, it’s clear that everyone involved had a great time putting a kinky spin on the holidays.
The movie features Sir Peter and Derek Kage as romantic partners who co-own the eponymous B and B, the Push It Inn. They’ve planned to close their doors for some quality time for the holidays — but after some FAA issues ground hotties Sean Xavier, Seth Peterson, Paul Wagner, Miles Fallon, Scott Braun, Ryan Orion, Matty West and Alex Kof, Sir Peter decides to play Good Samaritan. Of course, he ends up giving them a bit more than just room and board, much to the chagrin of his unhappy boyfriend.
“Essentially, I took Hallmark’s syrupy wholesomeness and gave it a big, fat boner,” jokes Rush. “My thought has always been, ‘What if they actually did what the sexual tension was hinting at?’ So we took that same formula — the inn, the stranded travelers, the “only one bed” — and gave it the kid of ‘happy ending’ that Hallmark never could.”
Down the Chimney
There is certainly plenty of pushing in this holiday comedy, which explores the erotic potential of festive holiday items like a nutcracker, a candy cane and even a Hanukkah candle.
“I love experimenting with nontraditional and household items because it adds an element of surprise and playfulness,” Rush confesses. “It’s not just about novelty; it’s about creativity, humor and seeing everyday objects in a new, unexpected way.”
The RushCU has already seen an apple and a flashlight do the “unexpected” in past films. This time, the objects in question all reflect a more seasonal theme.
In one scene, the Nutcracker Suite quickly turns to “Nutcracker? Sweet!” when it gets added to the list of anal-friendly holiday items by one of the stranded couples (Peterson and Xavier).
Peterson marvels, “Xavier has one of the biggest dicks I have ever taken, so that in itself was really hot. Then I just went with the fact that I was going to get nutcrackered, which made the scene even better.”
Meanwhile, Sir Peter and Wagner top off a festive flip fuck in a possibly sacrilegious way, as Sir Peter gets his cakes glazed with hot wax. Rush recalls the menorah candlelit vibe as “part sacred, part satire — and totally us.”
“It was camp done with care and reverence,” he declares. “Sir Peter even took an entire candle up his ass.”
Sir Peter shares Rush’s enthusiasm, and admits he was all-in on bringing the scene to life.
“I told Ben to give Paul an oversized Hanukkah candle,” he recalls. “I said, ‘Let’s give them a real miracle of lights!’”
In the penultimate scene, lovers Sir Peter and Kage finally get some time alone and make another interesting insertion to the annals of porn history. Kage, who has made a name for himself with his predilection for double penetration, takes on Sir Peter’s massive piece — plus a candy cane.
Ever the loyal company man, Kage shares his experience with XBIZ while clad in his own “The Push It Inn” T-shirt.
“I can now officially say I’ve been defiled by a glass candy cane,” he professes. “When Sir Peter had the opportunity to do whatever he wanted to me, how could I say no?”
Where Naughty Is Nice
In between all the hijinks, the cozy bed-and-breakfast setup becomes a playground for mistaken identities, rekindled crushes and festive mischief, with a cast that leans fully into the absurdity. From spiked eggnog jokes to glittering tree-top trysts, the film leans into humor while giving every performer space to shine. The tone throughout is warm and self-aware, like a group of friends staging the world’s naughtiest Christmas special.
To recreate a cozy bed-and-breakfast, the team converted a luxe California mansion into a holiday wonderland.
“Shooting in that mansion was next level,” Rush says. “Between the sweeping staircase, sun-drenched rooms and that jaw-dropping infinity pool, it felt like we were making a movie inside a dream house. The space gave us many possibilities for setups and angles, and it let the cast and crew really breathe and connect. There’s something about working somewhere so luxurious and private that makes everyone feel more relaxed, which always brings out better energy on camera.”
According to Kof, the location “did half the storytelling.”
“Big rooms, long hallways and dramatic light gave us cinematic angles and a sense of luxury that you can feel on screen,” he explains. “It made simple moments look epic and helped me sink into character.”
Others tapped into the mansion’s playful, slightly nostalgic energy.
“It honestly felt like being on the set of ‘Home Alone,’” says Sir Peter. “The place was gorgeous — huge, private and full of personality. It was a wonderful time being in that space with everyone. I got to live a little fantasy for four days. Like Cinderella, but in a mansion full of beautiful men.”
Orion and West, who tangle in a poolside scene, both got hooked on the stunning surroundings.
“Shooting in a mansion was so much fun,” Orion remembers. “But the best part was the expansive view from the backyard pool area. Having sex with that view was such a turn on. It felt like being on display for the world.”
West notes that the setting really helped the pair get into the theme of a boutique bed and breakfast.
“And yes,” he adds, “there was definitely some sexy pool action involving a raft, some fingers and surprise water works!”
The film also features Braun’s debut DP, adding another milestone to the mansion’s list of intimate accomplishments.
“Trying to get into our positions was definitely good fun and a laugh off-camera,” Braun says.
Homo for Holidays
If “The Push It Inn” proves anything, it’s that gay porn and Christmas make a surprisingly perfect match.
As Peterson puts it with unapologetic glee, “Imagine if we could all just spend the holiday fucking and sucking each other. Could there even be a better Christmas?”
That sense of irreverent joy runs through the entire film — a reminder that pleasure, humor and community can coexist under a string of twinkling lights.
For Sir Peter, the connection between sex and the season runs deeper than parody.
“During the holidays, people are either surrounded by family or feeling alone,” he reflects. “Both situations spark fantasy in different ways. In gay culture especially, there’s a playful, creative spirit. We take what’s traditional and make it ours, turning boredom into desire, awkward family time into something fun and sexy. It’s not about disrespecting the holiday; it’s about celebrating the season in our own way, through fantasy and connection.”
Fallon takes it a step further, laughing, “Holidays are already full of emotions, booze and questionable decisions. Adding porn into the mix just makes sense. Who doesn’t love a little festive filth?”
Orion, too, finds meaning in both the humor and the horniness.
“I think the pornification of the holidays is actually fitting,” he says. “There’s something about being home for the holidays that gets everyone horned up. And the holidays can be a sad time for some people, so why not provide some fun, sexy, naked entertainment?
“Having sex in front of a giant inflatable snowman next to a pool?” he laughs. “All the props and set decorations were so goofy, or being used in really funny ways. I hope everyone that watches it feels how much fun we all had making it.”
For Xavier, working on the film evoked a sense of belonging.
“For a lot of us in the industry, especially those of us queer and far from home, sets like this are family. Pornifying the holidays doesn’t feel like subversion — it feels like celebration. It’s found family, chosen joy… and yes, a lot of sex.”
If a group of travelers stranded by government shutdowns sounds like a sly nod to real-world chaos, you’re probably paying attention. For Rush, the message is baked into the medium itself.
“I don’t want to hit people over the head with a message,” he says. “But gay sex is political by nature and always has been. Just showing gay bodies with agency and pleasure goes up against a culture that still tries to censor and shame that. So the politics are blended into the honesty of the sex, the humor and the characters. I like my projects to reflect the world we live in, but also to say something about visibility, freedom and being ourselves.”
