With his sculpted features and leading-man charisma, Reese Rideout looks like he would be at home in a Marvel blockbuster — or at least a stylish slasher flick where he plays the crafty guy who makes it all the way to the final act. As it turns out, those qualities have also served him well in the adult industry, helping him build a remarkably resilient career over more than two decades.
Now, with his first XMA trophy in hand, a host of personal music and film projects on the horizon, and a daily content grind that keeps fans engaged, Rideout continues to show what long-term dedication and reinvention can achieve.
It’s probably a complete pipe dream, but I’d love to film the first adult scene in outer space … imagine it! Sex in zero gravity. I even know who I’d cast: Angela White or Rebel Ryder. Angela told me we’d need a space suit to keep from bouncing away from each other when we thrust.
“I think what initially pulled me into the industry was just the chance to be in Hollywood,” he explains.
Born and raised in Salem, Oregon, Rideout came from humble beginnings.
“Being from a very low-income family, living in Section 8 housing with three brothers and three sisters, I really had no conception of how to make it there. So when I got the offer to fly down and shoot, I was like, ‘This is my in!’”
That turned out to be the first step on a journey that has now spanned 21 years, an impressive milestone in any industry.
High Heels, Higher Praise
Rideout began his career in an era dominated by studios and DVDs. Today, he thrives in a landscape shaped by creators, fans and direct-to-platform content.
“There’s been a lot that’s kept me motivated over the years, like getting recognized for the work,” he says. “I love how much the actors and actresses are appreciated at the XMA awards shows. It really makes us feel like we’re doing something right.”
That appreciation hit home at the 2025 XBIZ Creator Awards, where Rideout picked up the trophy as Male Clip Artist of the Year, something he hadn’t expected.
“Honestly, I thought Shorty’s World was going to win it again!” he admits. “He has such great content. But when they called my name, I was happy. There were a few more things I wish I’d said during my acceptance speech, but I’ll save that for next time.”
He also landed a spot on the XBIZ Creator Awards “Best Dressed” list, thanks to a Prince-heeled ensemble curated entirely by his wife.
“She’s the one who dresses me,” he says proudly. “That’s her favorite thing to do: put together our looks for award shows. We even match sometimes! She couldn’t make it this time, but I definitely brought her vision to life.”
Despite the Miami heat, Rideout walked the mile from his hotel to the venue in those stylish but painful heels.
“To get the blood flowing,” he laughs. “But each step up to the stage, I was just thinking, ‘Don’t trip, don’t trip!’”
Cues, Fans and a Baby Grand
That balance of playfulness and precision is exactly what defines Rideout’s presence, onscreen and off. Whether collaborating with studios or shooting his own material, he brings the same sharp focus and cinematic flair.
“With studio work, I love that there’s more production value put into the project,” he explains. “There’s a crew, a script, wardrobe that’s thought out. I’ve been told nobody comes to set more ready than I do, and I can see the joy in the director’s face when I help orchestrate a scene to help actors who may be a little less prepared.”
In recent years, clip creation has unlocked further levels of creative freedom.
“Studios used to be able to kick you out once you got too old,” Rideout says. “Now, if you’ve got a strong fan base and a voice on social media, they can’t say no.”
Rideout’s relationship with fans goes way back — to the MySpace era, in fact.
“I kind of felt like a counselor back then,” he recalls. “I was making fun videos, answering questions, helping people feel seen. Some of my fans were struggling with identity or hadn’t come out, and I was this gateway to making them feel OK.”
That empathy and connection helped Rideout build his loyal audience, and his fans have stuck with him through every pivot. While he still occasionally takes fan requests or shoots custom videos, these days he finds more joy in letting inspiration strike.
“I like getting a spark of an idea, ironing out the logistics and then making it happen,” he affirms.
When it comes to his favorite scenes, Rideout recalls one studio shoot that hit all the right notes — literally.
“We were at a content house in Arizona, a big mansion with a baby grand piano in the living room,” he remembers. “Alexis James and I ended up shooting this wild, intense scene on top of the piano while Jonathan Jordan filmed. I remember thinking, ‘Is this real life?’ We were naked, pounding each other into ecstasy on a baby grand piano.
From Collabs to the Cosmos
While his scenes can be wild, Rideout’s approach to the business is pragmatic, especially when offering advice to newcomers.
“You’ve got to be in LA or Vegas if you want to work for studios, especially if you’re a guy,” he notes. “They don’t fly in straight males. For collabs, it’s all about referrals. Female performers get hit up constantly, so if you’re professional and business-minded, and you make a good impression, you might get referred. That’s how you build.”
And built he has, including beyond adult. Rideout is currently knee-deep in a slate of mainstream indie films, including his passion project “Crystal,” a horror-action hybrid about a man who wins a high-tech house in a gamble, only to watch it turn homicidal.
“It’s an automated house that starts killing all the dinner guests,” he says. “I have to fight the house. It’s sick.”
In true multi-hyphenate fashion, Rideout is also making music under the same stage name.
“They’re actually using some of my songs in a reality show coming out on OutTV this summer,” he enthuses.
The show, “Willam’s Dark Room,” is hosted by Drag Race alum Willam and centers around a stripping contest.
As much momentum as Rideout has built up, he might require even more in order to achieve his most “out of this world” goal.
“It’s probably a complete pipe dream, but I’d love to film the first adult scene in outer space,” he says. “I’ve sent two handwritten letters, wax seal and all, to Elon Musk. No response, of course, but imagine it! Sex in zero gravity. I even know who I’d cast: Angela White or Rebel Ryder. Angela told me we’d need a space suit to keep from bouncing away from each other when we thrust.”
That blend of wild ambition and practical planning sums up Rideout as well as anything. He’s part dreamer, part tactician, all heart — and deeply committed to the long game. Even after 21 years in the industry, he continues to push forward.
“I’ve been shooting since I was 9 years old, doing little skits with my brothers,” he says. “The adult industry gave me the flexibility and resources to keep chasing that. I’m not stopping!”
