The Seductress 5
When Millie (Morgan) and her Sister Haley (Reed) head to an exotic vacation, all seems right with the world. Haley is hoping that her relationship with her new boyfriend Shawn (Alff) will blossom into the next level, while Millie has lots of naughty plans in mind for her own boyfriend Nathan (Bronson). But when the couples arrive at their hedonistic paradise, Millie's tendency to fall into the beds of others rears its head in the form of Ryan (Driller), who is going through a rough patch with his wife Elizabeth (Skylar). Will Millie become the wedge that breaks up yet another relationship, or has she finally found the love, loyalty, and satisfaction she's been craving?
"The Seductress" began as a staple of director Jacky St. James's library, but director Mike Quasar has helmed the last two entrants in the series. Millie Morgan gets a chance to flex her acting chops in the fifth volume, and she's supported by the always reliable Ryan Driller and Nathan Bronson — both of whom acquit themselves predictably well. Haley Reed also delivers, and all the performances are supported by erotic, satisfying sex. There are a couple of subplots that are well-executed, and it's all good writing and directing from Quasar.
The sex starts strong with manager Katrina Colt telling her right-hand man Derrick Pierce that he needs to check out a problem in the Maui Suite. Poor, innocent Derrick jumps into action only to discover that the suite's "issue" is that he's not in bed with Katrina. Always one to be of service, Derrick gets to work fixing the “problem” immediately. Katrina is one of my favorite performers, and I've been a fan of Derrick for well over a decade. Derrick puts Katrina's ass on display right away, pumping her vigorously from behind while pinning her arm behind her. Just take a moment to admire the way Colt's ass jiggles as Derrick plows her; it's sexual poetry in motion. He also beats her throat up good, gagging her with his thick shaft wantonly.
Millie ends up in Ryan's bed even though the circumstances are unexpected, and the two have a fantastic time together. They kiss passionately, caressing each other tenderly before getting down to business. Millie rides Ryan enthusiastically before bending over and letting him have her from behind. Then, he finishes her off in a very hot spoon.
Revenge sex gets a chance to shine when Ryan's wife Elizabeth gets it on with one of the hotel employees (Codey Steele) after a blistering fight. She brings all the energy of a scorned woman into the bedroom, and Codey gives her everything her fury can handle. Her massive tits rock like waves crashing on the beach as Codey pummels her pussy, and the gleeful smile never once leaves her face. At one point, Elizabeth folds herself in half on the bed and lets Codey nail her in a very sexy variation of spoon that serves easily as the highlight of their encounter.
Things in the story come to a head when Nathan discovers an unexpected truth, and the result is the most sensual and intimate scene in the film. Nathan and Haley find themselves in each other's arms, and their gentle kisses and soft caresses make for a wonderful climax to the film. Haley gazes into Nathan's eyes lovingly as he slides himself inside her gently, and the spoon is a beautifully erotic moment that will certainly capture the hearts of viewers.
Quasar continues to churn out fantastic feature films that showcase great acting and great sex, and "The Seductress 5" is another hit for him.
In The Seductress 5, Millie and her sister Haley are leaving for a vacation to an exclusive resort in the Caribbean. Along for the trip are Haley's new boyfriend, Shawn, and Millie's new boyfriend, Nathan, who Haley has known since high school. Millie has always been a wild card who's been in and out of many relationships, but now she swears that Nathan is the only one. All is well until she becomes intrigued by a married man at the resort and starts to slip back into her old habits, leaving Haley with a choice: warn Nathan and ruin the trip, or hope that Millie comes to her senses in time.
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