One Night in Barcelona

Dorcel
One Night in Barcelona

Romy Indy travels to the exotic city of Barcelona with a singular focus. She’s got one night to accomplish her goal, and she’ll do whatever it takes to get the job done. With her private driver by her side, Indy embarks on a secretive, desperate plan that will reap incredible dividends if successful, but could utterly destroy her if it fails.

Alis Locanta directs this third entry into the “One Night In….” series, and while this film holds fast to the feature roots of the series, it’s not a continuation of the story from the first two films. The cast of characters is entirely new, and this movie isn’t about sexual liberation as its predecessors were. Instead, Locanta presents a spy-esque thriller with a strong air of mystery and intrigue that will keep the audience guessing and invested until the credits roll. The story is presented mostly via narration, which is not uncommon in Dorcel features. But the style still works to get the point of the story across to the viewer. Locanta purposely plays fast and loose with vital plot details, which keeps the tension high from start to finish — and even the final payoff leans a bit into this style of storytelling. It’s all very interesting.

The cast is strong, with Clea Gaultier (one of my personal favorites), Lina Luxa and the luscious Ginebra Bellucci giving strong supporting performances alongside Juan Lucho. But this movie is absolutely a showcase for Dutch newcomer Indy. The petite vixen stars in all five sex scenes, and she acquits herself quite nicely. She’s got presence, she loves the camera, and she’s incredibly cute. I can see this high-profile release elevating her career to another level.

Indy has a fun daytime romp with young stud Nick Cross that sets a nice tone for the film. The way she bobs her head on his dick is stimulating, as is the way she rocks into his gentle thrusts during the modified spoon.

A kinky threesome with Indy, Gaultier and Tony Cabrio is the main course that follows an intriguing plot development. This is a wonderfully crafted scene because it combines story tension with sexual debauchery. The sultry Gaultier initiates the action, and the result is the best scene in the movie, in my opinion. Gaultier is all raunchy business here, riding Cabrio’s cock seductively before letting him pound her ass out — while Indy slurps on her engorged nipples hungrily. Indy then lets Cabrio fuck her from behind while Gaultier watches gleefully.

Indy shares an intimate poolside coupling with her friend Bellucci that includes toy play and plenty of sensual kissing. Holy cow, Bellucci has a wonderful body: curves in all my favorite places, the cutest pussy, and a comforting smile. She’s prime girl-next-door material.

A second threesome between Indy, Luxa and Nick Ross is nearly as hot as the first, with Indy taking the sexual lead. She rides Ross steadily while Lux rains kisses all over her tits hungrily. The temperature goes up exponentially when Luxa gets her turn to ride the pony, opting to slide Ross’ cock deep into her ass while Indy rubs her clit to an intense orgasm. There’s an awesome sequence where Luxa is getting railed in the ass while Indy lays next to her and rubs her clit. Note the pleasure overload on Luxa’s face as she gazes into Indy’s eyes; the woman is on the verge of ascending while Indy’s expert fingers rub both their wet pussies as Ross pounds her ass.

Indy finally lets Lucho have a go at her, and the wait is certainly worth it. She rides him vigorously and without pause in the back seat of his van, and the result is truly mesmerizing.

This is a good movie that takes the series in an interesting new direction. Locanta does a wonderful job directing as always, Gaultier and Luxa are predictably awesome, and Indy firmly establishes herself as one of Europe’s best new starlets.

Director:
Synopsis:

One Night In Barcelona: Romy has only one night to regain control of her life...

Copyright © 2024 Adnet Media. All Rights Reserved. XBIZ is a trademark of Adnet Media.
Reproduction in whole or in part in any form or medium without express written permission is prohibited.

Count Serreno