Cast: Audrey Hollander, Faith Leon, Jada Fire, April Flores, Smoking Mary Jane, Kimberly Kane, Jerry, Julius Ceazher, Otto Bauer, Alex Gonz, Zak Attack and Daniel.

What sets performer/director Kimberly Kane apart is her innate understanding of smutty hardcore sex. She flaunts her filthy mind in “Morphine.”

Kane paints a Black Velvet portrait of hard-living women, in a hard-up strip joint/brothel called the Sugar Shack.

The story here is a concept only, told through visuals. The tone is set with a great, authentic Delta blues soundtrack, giving the movie white trash ambience.

Spectacular Faith Leon picks up hitchhiking Audrey Hollander in a convertible Cadillac. The two extreme queens park in the woods and give up a girl/girl that sizzles. Then, it’s only a short drive to the Shack.

If Ashley Blue doesn’t receive some recognition for the anal performed in the movie’s second scene, then there is no God. She teases a customer, stealing slugs off a bottle of bourbon until she gets fucked like the drunken slut she portrays.

Kane performs a girl/girl with BBW April Flores. The contrast between the two is striking — Kane so svelte and Flores so abundant — and both girls having a genuinely good time.

The movie is topped off with a G/B/B; Hollander does a double anal that is just plain nasty.

None of the scenes in “Morphine” will leave you disappointed; the lack of dialogue won’t bother you much at all.

Beyond that, Kane imbues the movie with a sort of broke-down glamour that explains everything about why these beautiful, desperate women are driven to drink, drugs and distraction. When she gets to a point where she can fully flesh out a narrative, she’ll be a force to be reckoned with.