educational

Bubble Buttons Photoshop Tutorial

Dinkz is back with our latest Photoshop tutorial! This time showing us how to make graphics that look like floating 'bubbles' which are useful for buttons or as page enhancements...

1.) Make a new RGB image name it "Bubbles". Set the size to approximately 400 pixels wide and 400 pixels high, just make sure that it's bigger then the bubble size we want. Set the resolution to +72 pixels/inch and the background color to "white".

2.) Open the picture we want to use and paste it into our "Bubbles" image, name the new layer that contains the picture to "Picture".

3.) Select the "elliptical marquee tool" and make a selection that's covering the part of the image that we want to be in the bubble. Hold down the SHIFT key while we're making our selection to ensure that it is 100% circular.

4.) When our selection is still on at the "Picture" layer, we press CTRL+SHIFT+I to invert the selection, after the selection has been inverted we press the DELETE key to get rid of the parts that are outside of our circle. When only the part of the image that we wanted is left, we press CTRL+SHIF+I again to invert the selection once more (which takes us back to the original shape of the selection). When the selection is restored we go to "Select -> Save selection..." and save the selections as "Circle".

5.) While the selection is still on we make a new layer and name it to "Shadow", as you might have figured out we're going to make the bubble shadow now! Drag the "Shadow" layer so it's positioned between the "Picture" layer and the "Background" layer ("Picture" layer on top!).

6.) Now make sure that the circular selection is on and that we're in the "Shadow" layer. Hold down the SHIFT key and press the "Right Arrow" key twice and the "Down Arrow" key once. Now the selection should have moved so it covers some of the white area too, if it doesn't something has gone wrong. If the selection is okay we're about to exclude the part of the selection that still is on the picture. That is easily done by holding down CTRL+ALT and left clicking on the "Picture" layer. Now we shall have a moon-shaped selection outside of the picture.

7.) Fill the selection with black (make sure you're in the "Shadow" layer!) and then de-select the selection by pressing CTRL+D. Now go to "Filter -> Blur -> Gaussian Blur" and set the radius to 20,0 pixels. Then we select the "Shadow layer" and press the V key once to select the "Move Tool", directly after we've pressed the V key we hold down the SHIFT key and press the "Left Arrow" key twice and the "Up Arrow" key once. Now we should have a shadow that looks something like this:

8.) Now we're going to add the sphere look to our bubble, to do this we'll use the same technique as we used in my "Glass Shapes" tutorial. Go and activate our "Circle" selection by clicking on the "Channels" tab (next to the "Layers" tab on the layer palette), find the "Circle" channel and hold down the CTRL key and left click on it once, then click on the "Layers" tab to get back to the layer palette. Now we can see the circular selection.

9.) Click once on the "Picture" layer and then make a new layer and name it "Bevel". Make sure that our selection is on and that we're in the new layer. Then we go and set the foreground color to a medium-bright color, I used a pinkish color (#F6BFE8). When we have selected a color we go to "Edit -> Stroke" and set the stroke width to 5 pixels and the location to "Center". Now we have a border with our color around the image, de-select by pressing CTRL+D and go to "Filter -> Blur -> Gaussian Blur" and set the radius to 10 pixels. When the blurring is done we duplicate the layer four times. After the duplications we need to link the five layers containing our bevels, when the bevel layers are linked we flatten them by pressing CTRL+E. Now rename the remaining bevel layer to "Bevel 1"

10.) Repeat step eight to activate the circle selection. When the selection is on we make sure that we're in the "Bevel 1" layer, after that we invert the selection by pressing CTRL+SHIFT+I. When the selection is inverted we press the DELETE key to remove the color outside of the circular image.

11.) Repeat step 9, but this time we set the radius of the "Gaussian Blur" to 5 pixels, and duplicate the layer only once. When the two layers are flattend we name the remaining layer to "Bevel 2". Then repeat step 10 to remove the unwanted color.

12.) Repeat step 9 once more, but set the width of the stroke to 3 pixels. When we're about to blur we set the radius of the "Gaussian Blur" to 3 pixels. This layer doesn't need to be duplicated so name it to "Bevel 3" directly. After we've done this we repeat step 10 to remove the unwanted color. Now the beveling is finished and we only have some highlighting left. The bubble should now look something like this:

13.) Now we're about to add the highlights, to do that we add a layer and name it to "Highlight". Make sure that the" Highlight" layer is activated and that it's on top of all layers. Select white as foreground color and press the J key to get the "Airbrush Tool". Select a round, pretty big and soft brush for the Airbrush (I used the 35 pixel soft brush), and set the pressure to 15%. Now softly paint some highlights with the airbrush at the top left and bottom right part of the bubble. If you painted too much highlight just select the "Eraser Tool" with a soft brush and low opacity (below 30%). When you have a highlight that you like you just go and get your "Circle" selection, invert the selection and press the DELETE key to remove the unwanted highlights.

14.) Now there's only one thing left, a border! We need a little more "contrast" between the bubble and the background, so we make a new layer on top of all the others and name it to "Border". Then we get our "Circle" selection activated, open the "Stroke" box ("Edit -> Stroke" or "ALT+E+S") and set the "Width" to 1 pixel, the "Color" to Black and the "Location" to Center. After that we de-select by pressing CTRL+D, and set the opacity of the layer to 10%.

Now we're finished and I think we've made ourselves a pretty nice bubble =)

Copyright © 2026 Adnet Media. All Rights Reserved. XBIZ is a trademark of Adnet Media.
Reproduction in whole or in part in any form or medium without express written permission is prohibited.

More Articles

profile

BranditScan's Aerie Saunders on Fostering Creator Knowledge, Confidence and Community

Aerie Saunders is firmly in her season. When she sits down with XBIZ, a fall-scented WoodWick candle burns in the background, pumpkins decorate her desk and the first signs of spooky season are already on display. Not that Saunders waits until autumn to embrace the macabre.

Jackie Backman ·
opinion

What Mastercard's Scam Monitoring Program Means for Adult Merchants

Mastercard's Scam Merchant Monitoring Program (SMMP) has introduced a new, investigation-led framework that works very differently from the ratio-based chargeback programs the industry has relied on for years. It applies to card-not-present merchants globally, and Mastercard's guidance on business models warranting closer attention includes adult content and dating platforms, along with subscription services, digital goods and forex.

Len Garcia ·
opinion

Why the Right Merchant Category Code Matters for NSFW AI Businesses

You explained exactly what your NSFW AI business does to your payment processor and they seemed to get it. The underwriting process felt thorough and exhausting, but it was well worth it because you began processing.

Jonathan Corona ·
opinion

How Local Payments Can Expand Access and Reduce Friction at Checkout

Global adult platforms often enter new markets with a familiar assumption: If their checkout accepts major cards, they're ready for local customers. In reality, payment habits vary widely by country. Dutch consumers use iDEAL for online shopping, BLIK is a leading e-commerce payment method in Poland, and India's UPI handles billions of transactions each month.

Mitch Platt ·
opinion

How Detailed Receipts Build Consumer Trust and Reduce Chargeback

When was the last time you bought something online? Chances are you looked for the confirmation almost immediately. Did the transaction go through? Does it show what you bought? Were you charged correctly? And if there's a problem, who can you contact?

Cathy Beardsley ·
opinion

What Adult Platforms Should Know About the EU AI Act

The European Union's Artificial Intelligence Act is now largely in force, creating new obligations for adult platforms using AI for content creation, performer verification, age estimation, moderation and other functions.

Corey Silverstein ·
profile

Verifymy's Emma Robert-Tissot on Putting People at the Heart of Online Safety

Warm, friendly and always happy to help, Emma Robert-Tissot has a gift for making even the most complex corners of online safety feel approachable.

Jackie Backman ·
profile

YourVids' Gino on Listening, Learning and Putting Creators First

Get Gino talking about the work creators pour into their careers, and his passion quickly becomes contagious. He deeply appreciates the people powering the business and has firm ideas about what they deserve in return.

Jackie Backman ·
profile

Vendo CEO Mitch Platt Reflects on 20 Years of Lessons and Evolution

More than 20 years ago, three entrepreneurs in Barcelona began gathering over beers to pitch, dissect and routinely destroy one another's business ideas. The ritual was simple: One person arrived with a concept, while the other two tried to expose every weakness. Any proposal that survived earned another look. Most did not.

Jackie Backman ·
opinion

How to Avoid the Hidden Risks of AI-Generated Legal Documents

Artificial intelligence can write a contract in seconds, but that does not mean it can write the contract your business actually needs. Across the adult industry, operators, creators and producers are increasingly using generative AI to prepare model releases, performer agreements, privacy policies, takedown notices, employment documents and responses to regulators. The appeal is obvious: Legal work is expensive, AI is fast and the resulting document often looks impressively professional. That polished appearance is exactly what makes the practice dangerous.

Corey Silverstein ·
Show More