The tried-but-true construction worker scenario gets a sizzling makeover courtesy of Raging Stallion Studios house director Steve Cruz. Newcomer Tegan Zayne, redhead Bennett Anthony and the dynamic duo of Wesley Woods and Spencer Whitman steal the show.
Woods, the foreman, and Whitman anchor the second vignette and there is a bit of genuinely funny set-up dialogue that Woods pulls off perfectly. The two men kiss hungrily, lick armpits, engage in nipple play, chew lightly on foreskin and remain verbal throughout their sexplay, all welcome grace notes that considerably amp the heat level of a fuck scene and are usually neglected. Their traded blowjobs are slick with spit and they flip-fuck like they can’t get enough. It’s a terrific scene.
Bennett Anthony — a serious stunner with perfectly sculpted muscle, body ink and red locks — appears in the final scene with dark, bearded Adam Ramzi. Again, the passion has a primal edge to it and they remain verbal throughout, ending the film on a strong note. Anthony is a sex star to watch.
Tegan Zayne play a horny creeper — he’s far more interested in cock than hammers and saws — and appears twice, in the first scene opposite Jacob Taylor, a heavily accented and smoothly muscled stud who throws a strong pile-driving fuck into Zayne and sprays him with cum, and imposing Gabriel Taurus, whose piss into a bucket is interrupted (not that he minds). Zayne, handsome and furry with a likable vibe, is a generous and enthusiastic partner with both men.
Cruz films in every corner of his single set but it doesn’t feel cramped. There are also a couple of notable lighting touches — particularly as the film opens when Zayne makes his first appearance — that show a welcome attention to detail.