The scenes include staged scenarios, gonzo-style chat-then-fuck and scene-already-in-progress, with lots of breast play and oral action to keep viewers' eyes on the prize(s).

Highlights include cover doll Kirsten Halborg, who can't wait for her guy to join her so she starts without him, ditching the purple vibe for The Real Thing when one walks in; shy Shana, who keeps her black negligee and fishnets on through the whole scene; and Marie 36FF who strips off and jumps up and down on the bed so we can see her in action.

The production values and informality are straight out of pre-Golden-Age loops: Girl, guy, get it on, repeat. Brightly lit, hardly edited and charmingly amateurish.